Lualhati Bautista
Lualhati Bautista is known as one of the foremost Filipina fiction novelist in the history of contemporary Philippine Literature. She is a recipient of the country’s literary award giving bodies such as the Carlos Palanca Memorial Awards for Literature for her novels Gapo (1980), Dekada 70 (1983), and Bata, Bata, Paano Ka Ginawa ? (1984). Her honest depiction of the reality , her bold exploration of women's issues, and her compelling female protagonists became her trademark in literary circle. Because of her dedication in addressing feminist issues, she was given recognition by Ateneo Library of Women’s Writings during the 8th Annual Lecture on Vernacular Literature by Women.
Jose Garcia Villa
Jose Garcia Villa is a Filipino poet, a literary critic, and Philippine National Artist in Literature. He is well known for his extensive use of commas in his works thus it made him famous as the Comma Poet. Garcia Villa found his true passion in thJose Garcia Villa is a Filipino poet, a literary critic, and Philippine National Artist in Literature. He is well known for his extensive use of commas in his works thus it made him famous as the Comma Poet. Garcia Villa found his true passion in the arts through painting but then turned into writing after reading Winesburg, Ohio by Sherwood Anderson. His collection of poetry such as Have Come, Am Here in 1942, and Volume Two, 1949 were published abroad and received critical claim. In his works, he introduced his poetic innovations: the comma poems and reversed consonance. He also believed that art should be “for art’s sake”.
Amado V. Hernandez
Amado V. Hernandez is a National Artist in Literature. Among his award winning works are Mga Ibong Mandaranggit (Birds of Prey), 1969, and Luha ng Buwaya (Crocodile's Tears), 1972. His association in the labour movement and sympathy for the working class grew his criticism of the social injustices and liberation in the country. His involvement with the communists brought his imprisonment ordeal which then provided him the creative drive of most of the poems in his collection. Hernandez’ works Isang Dipang Langit (A Stretch of Sky), 1961 and the epic, Bayang Malaya (Free Country), 1969, both of which were written behind bars. In his writings, he bared the neocolonial mentality of the society during his time and advocated for nationalistic movements and to end the long history of oppression of the poor
References:
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